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Hand Embroidery: Skills & Studies

A new course at RSN Durham and Online

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‘Hand Embroidery: Skills and Studies’ is an e-certificated sampler-based course exploring, learning and developing stitch and embroidery techniques, whilst studying and researching traditional, historical, domestic, international and contemporary embroideries and textiles.  The course has been developed by and is taught by Tracy A Franklin.

This is a visual, practical and modular based course, where each module is themed on technique, subject or design. Each module is taught over six lessons either in-person (Durham), online, or as an intensive course. It is a sampler-based course where four, 2-inch or 5-centimetre squares will be worked each lesson, based on traditional, historical, domestic, international and contemporary study.

Each module has a similar format, and will produce 24 samples in total, which includes learning traditional methods and techniques, and experimenting with new approaches. The outcome for each student is a personal body of work which can be used as an archive and reference, made into a cloth book, or mount into a body of work.

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As the course develops, more modules based on technique, subject or design will be added, and students will be able to register with the modules of their choice.

The cost of each module is £750.00 for six days of tuition, which can be paid by instalment. To book, select your chosen module and pay the £60.00 non-refundable deposit to secure your place. You will then be contacted to set up payment instalments for the remaining £690.

To find out more about the course, please get in touch or take a look at our Frequently Asked Questions.

Available Course Dates

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Durham (In Person)

Tutor: Tracy Franklin

Class Times: 10am to 4pm (UK)

Blackwork – 10-Sep 2026, 01-Oct, 22-Oct, 26-Nov, 14-Jan 2027, 04-Feb
Canvas – 11-Sep 2026, 02-Oct, 23-Oct, 27-Nov, 15-Jan 2027, 05-Feb
Needlelace – 18-Feb, 18-Mar, 29-Apr, 20-May, 17-Jun, 08-Jul 2027
Couching – 19-Feb, 19-Mar, 30-Apr, 21-May, 18-Jun, 09-Jul 2027
Reuse – 20-Feb, 20-Mar, 01-May, 22-May, 19-Jun, 10-Jul 2027

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Online

Tutor: Tracy Franklin

Class Times: 2pm to 8pm (UK)

Canvas – 08-Sep 2026, 29-Sep, 20-Oct, 24-Nov, 12-Jan, 02-Feb 2027
Canvas – 09-Sep 2026, 30-Sep, 21-Oct, 25-Nov, 13-Jan, 03-Feb 2027
Couching – 16-Feb, 16-Mar, 27-Apr, 18-May, 15-Jun, 06-Jul 2027
Couching – 17-Feb, 17-Mar, 28-Apr, 19-May, 16-Jun, 07-Jul 2027

Course Modules

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MODULE ONE

Knots

This module is based on knot stitches in embroidery including French knots, bullion knots, colonial knots and Peking knots.  During the course, students will demonstrate how French knots can be used in size or proportion, blended by colour choices which will include some colour theory, as well as working with different thread and fibre types to create a variety of textures.  Bullion knots will be worked in pattern formations, and historical, international and contemporary knot forms will be studied too.

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MODULE TWO

Grids

Grids refers to the creation of forming a lattice pattern, framework, or criss-cross design used in surface embroidery.  Basic traditional trellis work used in crewel work embroidery will be studied first, along with fillings such as satin or French knots to create pattern within the grid.  Alternative and contemporary ideas based on trellis work will be explored, as well as laid work used in historic Jacobean embroidery, and interwoven Japanese Sashiko embroidery.  Needle weaving will be taught in both traditional and alternative styles.

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MODULE THREE

Canvas

During this module, students will gain an understanding of the different types of canvas available.  Samples will be worked on single, and double weave canvas, and a firm plain weave linen.  Both basic and alternative canvas stitches will be taught.  Basic will include a guide to the different types of tent stitch and the patterns that can be created, alongside straight, diagonal and cross stitches.  Alternative will include more complex stitches patterns and their history and uses.  Bargello or Florentine patterns will be covered and worked on a firm open linen fabric.  Plus, the use of double canvas and its uses, and how it contrasts to single canvas.

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MODULE FOUR

Couching

Couching is laying a decorative thread along the surface of the fabric and attaching or oversewing with small stitches at regular intervals.  Traditional couching techniques will be learnt first including turns, curves, corners and spirals, along with plunging of ends.  The module will also include couching with alternative threads involving metal, plastic, and organic thread types from nature.  International couching including Chinese embroidery with a continual couched thread, and a Celtic woven knot pattern.  Ecclesiastical underside couching, basket weave over string padding, and Or Nué involving colour shading and blending, will also be featured.

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MODULE FIVE

Shading

Shading has many names including long and short, silk shading, thread painting, natural shading, and tapestry or vertical shading.  During the course, students will learn to shade different curves and angles, also known as natural shading, as well as shading with different tints, and tones, and blend with hues of colour.  Shading and blending with different thread and fibre types including wool, stranded cotton, rayon, etc will also be included, along with marked shading, creating alternative effects such as animal print and fur effects.

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MODULE SIX

Purls

Purls or bullion is a metal thread used in metal or gold work embroidery which is made of a very fine spiral of wire, which is then cut to a desired length and threaded like a bead.  During this course, students will learn how to handle, and work with this type of wire in both a traditional and contemporary way, along with understanding the different types of wire that are available.  Traditional approaches include working as a satin stitch, working over string padding whilst learning to cut accurately.  Contemporary includes more playful approaches gaining knowledge of the properties of how purl or bullion threads can be manipulated to create different two- and three-dimensional effects.

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