{"title":"Online Talks","description":"","products":[{"product_id":"online-talks-life-in-seasons","title":"Life in Seasons","description":"\u003cp\u003eBased in rural Warwickshire, Nicola Jarvis combines drawing, painting and stitch to make her artworks. She has been active in the embroidery industry for 35 years, is a senior tutor and fellow of the Royal School of Needlework, holding a Commendation from the Beryl Dean Award for Excellence in Teaching.\u003c\/p\u003e\n\u003cp\u003eA member of the stitching team that worked on Catherine, the Princess of Wales’ wedding lace in 2011, Nicola also contributed to the Anointing Screen for the coronation of King Charles III in May 2023.\u003c\/p\u003e\n\u003cp\u003eOverall Winner of the ‘Inspired by Morris’ competition launched by the William Morris Gallery in 2010, she staged her solo show at the same venue, entitled ‘The Art of Embroidery: Nicola Jarvis and May Morris’ in 2013. This popular exhibition was then funded by Arts Council England and travelled to Arts and Crafts properties around England for a further three years.\u003c\/p\u003e\n\u003cp\u003eNicola has taught on the Lifelong Learning programme at the Ashmolean Museum since 2010, designing and delivering embroidery courses and staging exhibitions of her students’ stitched artworks at the museum (‘English Embroidery’ - 2017) and Bodelian Library (‘The Needles Art’ - 2020), in collaboration with historian Dr Lynn Hulse of Ornamental Embroidery.\u003c\/p\u003e\n\u003cp\u003eThe first volume of her much-loved embroidery project book ‘Life in Seasons - Winter\/Spring’ was published by Inspirations Studios in January 2024, and the highly anticipated second volume of ‘Life in Seasons - Summer\/Autumn’ was released in January 2026.\u003c\/p\u003e\n\u003cp\u003eNicola offers a range of embroidery kits under her \u003cem\u003eNicola Jarvis Studio\u003c\/em\u003e brand, and has recently launched a hand-painted needlepoint collection for her new label - The Hand Paints.\u003c\/p\u003e","brand":"Royal School of Needlework","offers":[{"title":"Default Title","offer_id":63534098219338,"sku":"TTOT201","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/4541\/3706\/files\/ttot201-life-in-seasons-nicola-jarvis-1200px.jpg?v=1789401297"},{"product_id":"online-talk-dressed-to-impress-splendid-court-clothing-1550-1750","title":"Dressed to Impress: Splendid Court Clothing 1550-1750","description":"\u003cp\u003eArt historian Jacqui Ansell has an M.A. In History of Dress from the Courtauld (where she studied under Professor Aileen Ribeiro). Formerly a Senior Lecturer at Christie's she has also worked as head of contextual studies for a stitched textile degree and written and taught innumerable courses for the National Gallery.\u003c\/p\u003e\n\u003cp\u003eNow freelance she is an accredited Arts Society lecturer and delivers tailor-made tours at the major London galleries. 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Upon completing this project she will take up the position of Lecturer of Dress and Textile Histories at the University of Glasgow.\u003c\/p\u003e\n\u003cp\u003eThe exhibition of the Bayeux Tapestry at The British Museum is the first time that the tapestry has been shown in the UK since it was made, almost 1000 years ago. An embroidered epic, the Tapestry is believed to have been made shortly after the events it depicts: the Norman Conquest of England in 1066. Its display at The British Museum is expected to be one of the most popular exhibitions in the museum’s history.\u003c\/p\u003e","brand":"Royal School of Needlework","offers":[{"title":"Default Title","offer_id":63534574993738,"sku":"TTOT202","price":8.5,"currency_code":"GBP","in_stock":true}],"thumbnail_url":"\/\/cdn.shopify.com\/s\/files\/1\/1036\/4541\/3706\/files\/ttot202-bayeux-tapestry.webp?v=1789405506"},{"product_id":"thames-and-hudson-women-textile-designers","title":"Thames and Hudson – Women Textile Designers","description":"\u003cp\u003e\u003cem\u003eIn conversation with Claire Allen Johnstone and Elizabeth Currie\u003c\/em\u003e\u003c\/p\u003e\n\u003cp\u003eWomen Textile Designers features printed, woven and embroidered fabrics by some of the world's most accomplished designers. created for public spaces, furnishings, fashion and theatre. Illustrated with a wealth of weaves, prints, textures and patterns, it includes works by Arts and Crafts pioneer May Morris, Bauhaus designers Gunta Stölzl and Anni Albers, mid-century designers Lucienne Day and Althea McNish, contemporary pioneers such as Birgitta Hahn and Reiko Sudo, and many more.\u003c\/p\u003e\n\u003cp\u003eChapters charting the transformation of the textile industry over the 20th century including women's increased access to design education and their roles as entrepreneurs and leaders are accompanied by in-depth illustrated profiles of key designers. The book examines the creation of new products and technologies alongside changing consumer patterns and the shifting functions of modern textiles in domestic interiors, public spaces and transportation.\u003c\/p\u003e\n\u003cp\u003eThis celebration of female creativity is an invaluable reference for anyone interested in design or seeking an inspirational sourcebook of modern and contemporary patterns.Claire Allen-Johnstone is Assistant Curator in the Performance, Furniture, Textiles and Fashion Department at the V\u0026amp;amp;A and a trustee for the Museum of Cambridge. Her publications include Dress, Feminism, and New Woman Writing (2025) and ‘Scarves: History of a Fashion Object’ in Dior Scarves. Fashion Stories (2024). She was part of the editorial team for Silk: Fibre, Fabric and Fashion (2021).\u003c\/p\u003e\n\u003cp\u003eElizabeth Currie is an author and lecturer specializing in the history of fashion and textiles. 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Looking at military influence, decoration and tailoring, the talk traces how menswear has moved between extravagance and restraint across the centuries.\u003c\/p\u003e\n\u003cp\u003eFrom the splendour of the eighteenth-century court to military uniforms, the sober tailoring of the nineteenth century and the increasingly adventurous menswear of today, the way men dress has always reflected economic status, evolving masculinity and the projection of power.\u003c\/p\u003e\n\u003cp\u003eHistorical examples sit alongside the work of contemporary designers who are once again challenging conventions of male dress. Embroidery and embellishment form part of the story, but the talk takes a broader look at how designers have used colour, silhouette, surface and spectacle to rethink what it means to dress as a man.\u003c\/p\u003e\n\u003cp\u003eRobert Ossant is a fashion historian, author and writer specialising in couture, craftsmanship and the history of dress. 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From the early 1900s, when silk scarves were first printed at Liberty’s own printworks in London, the Liberty scarf evolved into a timeless emblem of effortless sophistication, admired for its lustrous, finely woven silk and distinctive, intricate prints.\u003c\/p\u003e\n\u003cp\u003eShowcasing Liberty’s global reputation for innovation and mastery in textile craftsmanship, The Liberty Scarf unveils the beauty and precision behind each scarf, drawing from Liberty’s extraordinary archive – from nature inspired classics and heritage motifs to bold abstract designs reflecting post-war and contemporary influences.\u003c\/p\u003e\n\u003cp\u003ePaul Rennie is an enthusiastic collector of vintage headscarves and has worked with museums in London, Paris, Prague and New York. 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